Imre Z. Balint, BSc, MPM, MBA

Calgary is getting a hefty helping of snow and it has motivated me to do two things, one of which I like and the other not so much. The latter has to do with plowing the snow off the sidewalk, which stinks as the snow is terribly wet and heavy (at least it's a good quick workout though). But it has also motivated me to write up a quick blog post (about time, eh?) regarding taking wintery photos. I'll keep this short and sweet as I'm really busy with my business venture, but I hope you'll find this information useful. Overexpose - To newbies this tip might sound crazy. If you're shooting a scene that is already bright white for the most part, why on Earth would you want to overexpose the image? Wouldn't that blow out the highlights? Well in most cases no and instead you'll likely get the proper exposure. To understand this, we must understand how the camera meters. I happen to have a video on this topic, click here to view it. In a nutshell though, the c...

Well I thought I would do a video on this, but time has been a little sparse lately so I decided to write up a post instead. Now if you're not familiar with how camera metering works then I'd recommend you check out Episode 6 which is on the topic to get you up to speed; the supplemental post has some good resource links if you'd like to learn even more. The Setup Have you ever looked out at a beautiful snowy landscape thinking what a wonderful photo it would make, then after taking the shot you ponder why it turned out so flat? Well, you can pretty much blame the way the camera's metering system works for this outcome. Let's use a simple example to understand what is happening. Before us is a landscape covered mostly with snow, a cloudy (thus white) sky and some trees also mostly covered with bright white snow. To our adaptive vision, all is well and the snow is a brilliant, almost blinding, white and the shadow areas of the scene (trunks of trees and expose...