Self-published author (Rave Girl: Change My Mind, Circulum, Making Professional Longboards, Concepts of Photography and More), woodworker, musician, etc. A guy with too many hobbies!
Landscape Photography - Photography with Imre - Episode 27
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Woohoo! I'm really happy with the way the landscape photography episode turned out. I'll have a fair bit to add in the supplemental post, so stay tune for that in the next day or so. L8r!
I figured I'd take a quick break and write up the post for the two infrared photography videos ( episode 23 and episode 24 ). This topic is by no means a small one, so as you saw in the video I really honed in on shooting with "regular" cameras, meaning non-IR modified, using IR filters. I would say that if you're new to infrared photography, then this is a good way to gain some experience without spending too much money. Of course if you take a liking to the realm of red, then there are lots of options to take this niche further. If it's one piece of information I couldn't find, it's in regard to at what frequency the IR blocking filter on the sensor cuts out. As you saw in the video my E-P2 could pick up the remote control's IR "beam", but I wonder where the limit is. I'm guessing it's around 720nm, but perhaps I didn't look hard enough or this is some sort of manufacturer secret as it may be used to somehow enhance the quali...
Let's get right into this, shall we? We'll start off with a quick discussion about where the resolution value comes from for those who aren't sure, then a segment on what you should keep in mind when shooting photos for print, ending off with suggestions in regard to what resolution could be used for particular print sizes. Resolution Value So how does Photoshop (and most other image editing software) come up with the resolution value for your image? It's actually quite simple; divide the pixel width by the document's width (or use the height values, the result is the same). So if your photo is 4032 pixels wide and the document width is set to 12.841, then you get: 4032 / 12.841 = 313.99423720894011369831010045947 to be exact, but you can't realistically have .994... of a pixel, thus the program rounds to 314 (these values are what you see in the episode ). By the way, pixels per inch and dots per inch are generally used interchangeably but there is a differe...
I'm happy to say that the action photography episode is done and live on YouTube, so do give it a watch. And for those of you curious about who Richard Steele is... well now you know! He's a fictional comic book like character I came up with in the last couple of weeks and I'll be producing a series about him called Second Shot . But yes, I'm holding back on details about him and the show, so you'll just have to stay tuned to find out more. Boy did I love creating this episode though! I got some serious practice editing shots too. But enough about that. If it's one thing that popped out at me the most as I developed this video, it's that action photography encompasses a huge realm of smaller subjects with their own unique requirements. So if you have specific questions about action photography, then feel free to ask away and I'll answers some of those Q's in my supplemental blog post (you can post a comment below, on my Facebook wall, tweet me, ...
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